So, neither does the writer of the software. It has a cool feedback feature that can be used for good or evil, and what it does with drums is banned in several countries. Gotta agree about compressors, but gotta disagree about reverbs. Moral relativism for the sake of justification is a way to not feel guilty for something you know is otherwise not ethical.
There are plug-ins by Waves though that I feel sound more like their hardware counterparts like the CLA1176, and the CLA2! This is the only way buying a plugin or a bundle is ever worth it.


Check out the Greg Wells series: VoiceCentric, ToneCentric, PianoCentric, MixCentric. That’s where the most critical stuff happens….the capture (and performance of course). Which is a good point…I mean, I have not nearly maxed (or barely even touched) what I can do with stock loaded DAW plug ins. www.uaudio.com, Voxengo Pristine Space (Windows 98 or later, VST), $119.95. It’s you that have to take the right choices, this is something I learned directly from you, Graham. Sure, most Daws do come with useable EQs and Fx, but some may not have the transparency we need, or get us the warmth we need. I feel like you’re a good guy and it isn’t your intention at all. Moreover, with eight filter options for each of the eight bands, this is a wonderful tool for mastering where you need precise control over the entire frequency range, combined with a natural sound. I do a ton of work with samples and VI’s and at this point it is a much better investment getting better/different VI’s than adding yet another EQ plugin to the half dozen other EQ plugins that I have. Are they dripping with vibe and analog goodness? Waves uses iLok authorizations, so you can't use it on more than one computer at a time either way. I even saw in one of your videos where you use some of the Waves classic compressors. The most amazing "vintage style" eq I've used is the Tritone Digital Hydratone. Simply enter your email below and we'll send it right away: Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Google+ (Opens in new window), Marco Brown (artist & band/recording coach). In fact, Spectra'Q offers most facilities, other than reverb or stereo imaging, that you'll need to finalise your tracks: a 10-band EQ, 10 bands of multi-octave harmonics, each with a bypass, four-band low-frequency phase adjustment, and a very transparent loudness maximiser. It also works magic on entire mixes. The Fairchild mkll 2 is pretty sick! I do use RBass still here and there. Or you don’t have a good DAW like ProTools or Ableton that come with killer stock plugins.

When I want loudness maximisation with maximum neutrality, this is the tool for the job." They sound great, too! You’ll get value out of them instantly (as opposed to one day hoping you use them), plus you’ll learn them really well. Most of the R series. For your K2s and NT2as, try Acustica Nebula, Waves V-Series vs API Collection vs SSL 4000 Collection -- I can only afford one. Is it only designed as a master bus comp? The Aphex Aural Exciter and the Vocal Rider (that one to a lesser degree, sometimes its not the right choice). Then as you save up money, purchase whatever third party plugins you really want. They sound great and are affordable. I use the Mode III Q setting more than any others, which has a decidedly non-digital feel and a readily audible effect, even at low gain settings. Not at all If your DAW doesn’t have a tape machine or saturation plugin emulation, then it’s a wise move if you like the sound. Check out the demos of the Stillwell stuff. . Dave Lockwood, Prosoniq Northpole: "I'm a long-term addict, first using this freeware plug-in in its VST format with Cubase.

One thing about pirating is if you sell your mix then you better worry about something called “audio watermarking” you WILL get sued eventually; better think twice.

What happens when you get a new computer, and want to install on that (still only using the plugins on one machine)? I would be more than happy to offer an opinion on your manners. I disagree with you, but I have respect for you. Thanks guys. Sam Inglis, Cycling '74 Pluggo Filter Taps: "I could just as easily have included the whole Pluggo suite, but this is my favourite. Feedback about a couple of Nearfield Monitors. You can print plugins in Pro Tools by sending the output of the track with plugins to the input of an additional track and recording that second track. Even your room acoustics can help your front end sound better.

Matt Houghton, Korg MDEX: "I've found myself reaching for this more and more over the last year. We cant always take a bunch of hardware with us. Actually it’s much worse. I’d hate for any of your readers to think otherwise. Friday Roundup August 2, 2013 | Unveilmusic.com, It’s Time For A Plugin Purge » The Recording Revolution, The #1 Rule Of Studio Gear [Video] » The Recording Revolution. Very nice topic. i don’t think so , the plugins now more powerful , i have Neve 1073 hardware and Neve 1073 plugin from Universal Audio really so good and smooth. But when I realized i could never afford those “hi quality” plugins I tried to emulate their behavior with the stock plugins of Reaper (you Reaper guys out there know there are tons of’em), sometimes by flipping the phase of channel A with the “hi-quality” plugin and then tweaking the settings of the stock plugin on channel B until they would end up in silence (at least almost), sometimes by using the build in automatic parameter modulation (audio envelope triggered). Quality analogue equipment maintains if not increases in value as time passes. I have the Platinum bundle and the V-Series. You get an informed opinion and you can hear them in real time. But in your case they say, “ey, what you want? It is almost never worth it to buy a plugin for the regular price directly from the maker… wait for sales and even then check audiodeluxe etc. I particularly like the multi-band dynamics and loudness maximiser sections. The biggest waste of money to me is being impulsive, not doing your homework, and not waiting for items to go on sale. They are about $150 each, an amazing deal. Fix it and Mix it knowledge! More microphones and preamps so I can track a full band live, or track drums. While it’s certainly true that some plugins sound “better” than others. A matter of financial mean and perspectives. Plus others. Sounds like good advice to me. Normally, they would pay you kinda fee. You may login with either your assigned username or your e-mail address. Every plugin behaves different. Martin Walker, Audioease Altiverb (Windows XP; Mac OS X, OS 9; RTAS, VST, Audiosuite, HTDM), £575.75 for TDM version, £382 for others. "As the name suggests, the main intended function of Filter Freak is as a filter, with various control and modulation options available. L3 is a great must have plugin. Only Graham can write a blog post on this subject with such eloquence and intelligence that 3 years later people are still reading and discussing it and commenting. I’m on the ultimate metal forum and gearslutz all the time and people sell plugins (with the license)on paypall all the time. Lets do it: The Ultimate Plugin Analysis Thread. It seems that, when I go to master projects, there is nearly always one track on an album where using C4 on a particular channel has enabled us to improve the track far beyond what we would have been able to do without it." You get the idea. Maybe, it is not right to say it, but there’s no need to buy plugins, because most of them can be got through torrent. www.voxengo.com, Waves: available for Windows 2000/XP and Mac OS X, supported on selected hosts via RTAS, HTDM (but not Digidesign Mix systems), VST, Direct X, MAS, AU. Well so far I have the doubler which is great and a duende 1.5 with the eq and dynamics. And if you are serious about not liking what you do, I can help you. In fact, using cracked software is stealing. ... Gearslutz.com LTD - UK Company Number 7597610 (England & Wales).

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