I get my own back area where people stay away from me. He was 54 then, but he looked ten years older, and he talked for a while about his sagging energy levels. It’s the same me, it’s just maybe more people are hearing about it. Are you okay making light of some of the more outlandish aspects of your style and what you’ve inspired? It gives me a strong incentive to not be a smartass. Everything else is just stuff I thought I could do a good job on and songs I wanted people to hear. At some point, someone’s going to play you in a movie, whether it’s about stuff that you’ve done, or at least peripheral to stuff you’ve done. This was needless worry. What’s your process for writing songs? Chemo radiation will kill you, and it’s not the way to heal your body from cancer. What I mean is, have people freaked out on you? (This is not the guy who shot the video.) You’ve never been able to ask this question before? If you don’t like playing live, you shouldn’t be on the road, because people are paying to see you and they don’t want you up there all bored.

For example, [Dave Allan & The Arrows’] “Devil’s Angels” or The Troggs cover [“With a Girl Like You”]—I just made them really punky. If I can help it, I don’t go to modern doctors. As much as I dislike people holding up cameras in front of my line of vision at concerts, no one deserves to be beaten up for it. Do you think the Misfits disbanded before you guys really got your due? There are a ton of Misfits and Danzig covers out there. It was a lot of fun.

There’s gotta be some money in this for me. So how do practices work when you’re the primary songwriter? It was comfortable. The top bunk could have two people sleeping up there. When I first started working with Rick, he made me buy not one but a couple of microcassette recorders, because I would come to rehearsal and I would go, “Man, I had this great song on the way here.” I wrote a lot of songs when I was banging on my steering wheel, driving and screaming “Fuck you!” to really bad drivers, but I would forget the songs by the time I got to rehearsal. There are basically term limits on your musicians. I like that freedom a lot better. I always wanted to do “Devil’s Angels.” Actually, the arrangement you hear on this record is one I did back in ’79—that’s how long I’ve wanted to cover it. Diet is really important and I think vitamins are really important also. You seem pretty busy lately—multiple tours, upcoming covers album Skeletons, an Elvis-inspired EP, TV appearances. Glenn met me at his Los Angeles office with a friendly nod and a handshake. Do you say, “Hey, Tommy, here’s the new part”? Am I right in thinking that when you go out now, to the supermarket or wherever, you get a certain amount of gawkers? My attitude is to bring my sound to it and my take on it. I get offered stuff sometimes that’s more stupid, and this was not like that. So if at any point one of your musicians says, “I’ve got a way this could sound better,” does that constitute employee insubordination?

I guess I’m curious about this because it kind of puts you in the position of being the employer. Do you show up with prewritten parts? This is hilarious. I like the original Metallica version they did on Garage Days—“Last Caress” and “Green Hell.” Cradle of Filth did a nice cover of a Misfits track (“Death Comes Ripping”), and I know Behemoth did a Danzig track (“Until You Call on the Dark”). When you’re on the bus, you can’t do shit. I’ve always been curious how a band like Danzig works. That implies that you had decades of not doing that, of being on tour and dealing with the constraints of Tour Time. That didn’t bug me, so we’ll try a full tour this time. I don’t know if the [Johnny] Cash and Roy Orbison songs apply here, because I actually wrote those songs for them.

I don’t know. I’ve never spoken with anybody who’s reached this point in their career. No hooded. The Montauk Project: The idiotic conspiracy theory that inspired ‘Stranger Things’, ‘Beth, I hear you calling’: The totally made-up, not true story behind the biggest hit KISS ever had, Wowie Zowie: The early beatnik-style artwork of Frank Zappa, The Drive to 1981: Robert Fripp’s art-rock classic ‘Exposure’, ‘The Brave’: The cinematic atrocity that could have tanked Johnny Depp’s career. I don’t think any punk bands really ever got their due (laughs).

MTV told Rick they needed the censored version. Cancer is just cells deteriorating more rapidly than your body can heal and fight it. Do you ever have problems with your energy levels? I don’t know what else to tell you. You’re the same age now, right? My attitude with covers is if you’re just gonna try and do it exactly like the original artist then just leave it alone, because it’s just going to sound like a bad copy of the original artist’s version, and everyone’s already heard the original artist’s version a million times. This time, the prick tried to get fans in Florida to beat up some guy in the crowd shooting a video. Meaning, can you concentrate even with other people’s noise? You’re not at home, you don’t have all your shit. I don’t stress on that shit. So you have to find out what that imbalance is. This is the same question you would ask Bowie or somebody. It’s tough. You recently filmed an episode of Portlandia.

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Vice: Thanks for doing this interview in person. I’ve known so many touring musicians who surrendered to the downtime, who would let their natural rhythms go to hell and sleep until three, not exercise, not read, not do any of the things they’d do at home…. Have you felt a renewed energy lately? But I’m constantly working. He thought he sent them censored version, but he sent them the uncensored one. Those are all good things to know, but they’re no surprise. I don’t think there’s a day that will go by that I’ll just get to relax and not do anything. Here’s a question I’ve always had. How did you pick the songs? Probably not.

I try to work out, but a lot of hotels don’t have gyms anymore, so I always try to find a local gym where there’s not a ton of ’roid-heads, ’cause I can’t stand them. Maybe they’re not familiar with The Litter or maybe some newer fans aren’t familiar with The Everly Brothers, although that’s incomprehensible to someone like me. Have you guys performed together before? There’s not a lot of money in music these days; I do it because I enjoy it. There were other bands doing similar stuff as well, but only a handful on the level we were doing it on. How do practices work if you’re like the boss of the band? I’ve seen a bunch of the Portlandia episodes and they’re pretty hilarious. Chef Todd English excited to be a full-time Las Vegan. The people that put out Misfits records—Caroline [Records]—also had Zombie on their label, and they said, “Can you put this band on the bill?” That was my first exposure to White Zombie. The original was banned when it came out. Then I said, “Well, I’ll do local shows, because I don’t have to sit on a bus for fucking three days between shows, doing nothing.” I’m a workaholic, and so I’ve always got to be doing stuff. It was very last-minute, so I had to learn all my dialogue really quick. I guess the guy who took this video survived the lynch mob. I just wanted to say, that’s so normal, and I celebrate it. That’s bullshit.

My loathing of Glenn Danzig knows no bounds. We got into touring mode. ]—goodbye. I’m going to try the flying-home thing and see how it works.

I’ve read that you’re going to slow down on touring some because you don’t want to deal with the downtime that comes on the road. It’s like a jigsaw puzzle. I might just throw the setlist out the window and ask people what they want to hear. Here’s where the bet comes in. Was the goal in making your covers album to run those songs through the Danzig filter and bring certain elements out? You’re the figurehead, the front man, the namesake, and the songwriter…. It worked out OK, so in 2008 we did a Blackest run where I flew home every few days. I didn’t make it up, though. Do you have a favorite interpretation of your work? Your body has natural things that fight off diseases. That could have been a hit song!”. They played it, and they got all these religious people—who can go fuck themselves anyway [. So it had doors on the top, and when you opened them you could get to the amps or you could climb up to the top bunk. Yeah, we’re old friends. [. ] In the 80s, you weren’t staying at hotels and you didn’t have a bus. But now, unless I’m at my pad or whatever and a song comes to me and I just pick up my guitar and write it and lay it down on something, then yeah, I usually hum it into a microcassette recorder and then I transpose it when I get home and work it out on guitar or piano. Yeah.

I don’t do any of those things. Photo: Mirgun Akyavas. It was better than the Misfits, I’ll tell you that. There’s some wiggle room there. I just thought it sounded too much like Billy Idol or something.” But by the time Samhain had run its course and was becoming Danzig, people knew what to expect from me, from Danzig.

Steve Sisolak lifted some restrictions on October 1—upping capacities for events and gatherings—some venues were creatively installing “ambient entertainment,” live performance from socially ... “Sometimes we lose our sense of self. Will the set here feature some of the cover songs off Skeletons or will it be similar to the Danzig Legacy shows? But I enjoy doing it still, and anyone who puts a damper on that, I don’t need you. But it should still be that everyone’s having a good time. What was that like? I don’t have time for that fucking shit. When it’s stale, fix it. When I mentioned this interview in an email to a friend, the friend wrote, “You don’t really think of Danzig as someone you get to ask actual questions of.”, Because I’d been scheduled for an interview, and not a jam session, I’d steeled myself for all variety of Occult Danzig worst-case scenarios. You really should be doing music because you love playing music. He’s a dweebie power-mad troll who spends his life over-compensating for the fact that he’s no taller than a fire hydrant and just about as intelligent. And I wake up almost every day feeling like a wet bag of sand. It seems like it happens quick. Rick was like, “You gotta get a microcassette recorder! You could fit another four people below there, plus three people in the front.

I just whittled it down. He was a major Danzig fan and I’m a fan of his work also. I’m 40. If it’s just a way to play the riff or the chord pattern, no. The Joint, 702-693-5000. You’d be dead in a week. It’s like, “Maybe I can work with this guy.” I still like that kind of rebellious punk thing where you change it up all the time. It seems like that would deny you any lasting chemistry with your bandmates. Here’s the body, Lord Danzig.”. That’s how I look at it.

I could probably do a Skeletons 2 or a Skeletons 3 if I really wanted to. Am I going to tour forever?

.

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