But the public enthusiastically supported the film with its blend of spectacle and gothic macabre. In a tradition held over from theater, film actors were expected to design and apply their own makeup in the early days of the movie industry. When the reclusive actor known as “The Man of a Thousand Faces,” aka “The Man of Mystery,” grants an interview about his latest film, chances are that he’s considerably invested in it. Nevertheless, Universal refused to pay Chaney a salary equal to his value. Quasimodo was just what he appeared to be, not somebody’s illusion or bad dream. Whoever wrote this may I use this in my paper? Make-up, Costumes, and the 1920s; The costumes of the 1923 version of Hunchback. ", The amazing life and tragic death of Lon Chaney, first universally recognized movie monster, Chaney employed a combination of techniques, frequent massaging of his legs between takes, originally attributed to director Marshall Neilan. In a 1991 interview with Patsy Ruth Miller, The Hunchback of Notre Dame's Esmerelda, the actress conjectured that pain was part of Chaney's process. The tortures of The Penalty would pale to the extremes to which Chaney would go to for 1923's The Hunchback of Notre Dame. Hemlines that hit mid-calf was the style in 1923 for hem. Diagnosed with bronchial cancer likely caused by years of heavy smoking, Chaney remained well enough to complete his only talking picture, a remake of his 1925 film The Unholy Three. As Quasimodo, the grotesquely deformed bell ringer, Chaney underwent a grueling three-hour process to apply the elaborate makeup, which included a 20-pound plaster hump attached with a leather harness which prevented him from standing erect. Period.

Lon Chaney as Quasimodo 1923 Hunchback of Notre Dame Lon Chaney was a genius with make-up.

I don’t think the Quasimodo’s look has aged as well as  the Phantom’s make-up but Chaney did help solidify movie make-up and set a precedent for the look of future Quasimodos so I do give kudos to the make-up in this version. So they rented a huge electric sign at Times Square to flash the ever-increasing cost of Foolish Wives and spelled out Stroheim’s name as “$TROHEIM.”. Marie is Clopin’s wife. While it was used in Antiquity it was not at all popular in 1482. The year after his star-making turn in Riddle Gwane, Chaney appeared in a role that would truly showcase his talents. The famed actor could be anywhere, perhaps standing right beside you, and you'd never know it. So what did Lon Chaney have to say about The Hunchback of Notre Dame? However the robe is the worse offender of Esmeralda’s costumes.

"I am fascinated by [Lon Chaney].

Lon Chaney was a genius. The extent of special makeup effects in film was limited to stage techniques consisting mainly of beards, wigs, and simple aging accomplished through highlighting and shading. As owner of the property, Chaney was, in essence, an uncredited producer with a great deal of creative control over the film, which more than justified his hard-won salary of $2,500 per week.

Chaney as Quasimodo in The Hunchback of Notre Dame (1923). I will give you the credit.

The hunchback's lumpy facial structure was created using layers of cotton and collodion. There is no one costume that stands out and is memorable.

For decades, Hollywood lore has maintained that The Hunchback of Notre Dame was the brainchild of producer Irving Thalberg. Although she survived the attempt, she could no longer sing. Pictures came from the Philip J Riley Book, Notre Dame de Paris Set from the 1923 version of Hunchback, hi I’m Kim and I’m doing this exemplification paper on Lon Chaney and one of my main points is how he applied his makeup to get his characters. Shot on volatile silver nitrate stock, many films of the silent era, including the bulk of Lon Chaney's output, have been lost to the ravages of time. However the worse offender of the 1920 style in a costume is Marie’s.

They look appropriate to fashions of the late middle ages. Directed by Rupert Julian, The Phantom of the Opera, based on Gaston Leroux's 1910 novel, stars Chaney as Erik, a disfigured genius who haunts the Paris Opera House. Chaney had optioned the rights to Victor Hugo's novel and had been trying to secure funding long before the project wound up at Universal. The effect was startling. For his cheeks Chaney used cotton and colodium.

He gets a robe or a “dressing gown” that has a fur trim and looks to be made of velvet with a satin belt. Clearly not shoes wore in the middle ages. Nearly a century after his death, Lon Chaney's influence resonates in the work of the greatest makeup artists and character actors of all time. The process was repeated to build up the cheeks to the desire look. He begged a witness to this act of kindness to keep quiet, explaining, "I will never hear the end of it. Although Chaney was well enough to complete Thunder, his bout with pneumonia left him weakened. Unable to continue in the marriage, Lon Chaney filed for divorce, citing his wife's infidelity, alcohol abuse, and unfitness as a mother.

Starring opposite Hart as a dastardly cattle rustler, he received high praise for the role, catching the eye of moviegoers and critics alike. I learned how to make scary faces from looking at Lon Chaney.

Entertaining his mother and relating the day's events to her without words, he became a master of communication through physical expression. It still thrills and chills and remains quite a show. After The Hunchback of Notre Dame’s success, Chaney was one of Hollywood’s most popular stars.

Esmeralda’s costume has a more shapeless silhouette, long beaded necklaces and the sleeves look straighter and look more like modern t-shirt. In 1912, Lon Chaney took a job with Universal Studios. While on the road in Oklahoma City, he met Cleva Creighton. Photo colorized by Robert M. Fells. Some felt that his Quasimodo was too grotesque but Lon faithfully followed Hugo’s description of the character.

By 1918, Lon Chaney had appeared in over 100 films for Universal and was quickly establishing a reputation among his peers and the public as a singular talent.

Patsy Ruth Miller as Esmeralda 1923 Hunchback of Notre Dame.

The other one is pointed with a scallop edge which makes it appear shorter.

At least so it has since seemed to me.

Filming began in December 1922 and didn’t wrap until June 1923.

To set himself apart from the competition, Chaney experimented extensively to create complicated, never-before-seen characterizations. The tortures of The Penalty would pale to the extremes to which Chaney would go to for 1923's The Hunchback of Notre Dame. .

I just need a name. Overall, Chaney claimed to have had a happy childhood. When I found that magazine, I thought it was a gift from the gods. Already well-established as the "Man of a Thousand Faces" prior to The Phantom of the Opera's release, Chaney's skills as a makeup artist combined with his mastery of physical expression made him not only the silent era's most important character actor but the prime influence on the development of cinematic special effects. Despite Chaney's popularity and enduring influence, he remains a mystery.

However, Hunchback was different. In 1939, Chaney appeared in his first major role in Of Mice and Men. A private artist who, in Hollywood's classic age ballyhoo, avoided the public eye, Lon Chaney preferred to let his work speak for itself, with each performance and mind-bending physical transformation becoming part of his larger-than-life myth. Among the most radical examples is the harness he built to create the appearance of double amputation in The Penalty.

If you think the man you are playing, you’ll be that man. Number 2; given the materials, fur, satin and velvet, it’s doubtful that a mere chest of candles could be traded for a garment made from these materials.

Although the Notre Dame Cathedral appears to be a full-scale structure, only the first floor facade was built. From left to right: Wallace Worsley (director), Lon Chaney (“Quasimodo”), and Norman Kerry (“Phoebus”).

Even in 1923, the timing of the release of The Hunchback of Notre Dame near Halloween was probably no coincidence. Lon Chaney's first year after leaving Universal was a struggle, but he finally made a breakthrough when legendary Western filmmaker William S. Hart cast him in 1918's Riddle Gwane. For the hunch he wore a 15-20 pound plaster hump. Unlike other “chillers” of the day, typically haunted house comedy-dramas, nothing was explained away at the end.

He managed to secure three different proposals, the most ambitious of which would make the film in Europe and under the direction of Alan Crosland (, Lon spoke of his deaf parents and his early days in the trade of laying carpets. In a deleted scene from the movie, Quasimodo trades candles for clothing for Esmeralda to wear.

An eye wart constructed with adhesive tape and nose putty and cut down cigar holders inserted in his nostrils completed the disturbing look.

Dying of cancer a month and a half after the release of his only talkie, Chaney would take a lifetime of potential and innovation to the grave just as the movies took their next evolutionary step. "My introduction to Lon Chaney came about because of Famous Monsters of Filmland Magazine," Baker told Turner Classic Movies.

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